[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: [ARSCLIST] Consumer open reel EQ curve?
Yes, there IS a difference.
European eq. depends on age, brand and market segment (home vs.
Most older recorders till early 60's used 140 µs at 3.75 ips (9,5
cm/s) (old German DIN standard).
In fact, eq. stayed the same rel. to recorded wavelength: 35 µs at 15
ips, 70 µs at 7.5 ips, 140 µs at 3.75 ips.
However, not all brands adopted the same standard: e.g. Grundig used
70 µs (CCIR) for 19 cm/s, whereas Telefunken used 50 µs (NAB) on their
consumer (tube) recorders.
On more recent consumer recorders (late 60's), this was changed to 90
µs for 3.75 ips and 50 µs for 7.5 ips (new DIN standard for home use).
Studio (broadcast) recorders use CCIR (now ITU-R) standards, adopted
eventually by IEC.
Your ears are probably the best judgement on the right eq. to use when
playing back old tapes.
Proper azimuth adjustment is even more important than eq.
Have you got a headblock with external azimuth adjustment screw?
Jos Van Dyck
New Generation Media
Digital archiving & Restoration
From: Association for Recorded Sound Discussion List
[mailto:ARSCLIST@xxxxxxx]On Behalf Of Richard L. Hess
Sent: maandag 15 november 2004 23:13
Subject: Re: [ARSCLIST] Consumer open reel EQ curve?
What's wrong with the internal preamp on the A807? (I have my own pet
peeves, but I'm wondering why you're going the external route).
AME was never a consumer format, so I would dismiss that. I am one of
handful of people equipped for AME reproduction on current equipment,
I've supplied some of the AME filters to other transfer houses. You'll
it on 2- and 3-channel masters from the 1960s at 15 in/s. See the info
CCIR is widely used in Europe, but I doubt (m)any of your tapes will
that format. A stock A807 can be set up to switch between CCIR and
Please note that at 3.75 in/s, there is no difference between U.S.
and European practice. Again, see the MRL Web site. The table on page
the "Choosing and Using..." document indicates that the IEC EQ was
only in professional circles in Europe. Consumer machines and
tapes worldwide apparently followed the NAB standards.