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Re: [ARSCLIST] LP pressing question
I think all sorts of strange stuff took place with cutting guys in the 60's, 70's and at th end of
the LP era. Stan Ricker had some quite original stuff in his Mobile Fidelity cuts of the 70's. In
earlier times, too much fanciful stuff was frowned on but every cutter had his "maker's mark" that
he would inscribe. At Fine Sound in the 50's, most cuts would just have the catalog number stamped
in the dead wax like early Mercury MG series. Same for Verve, Kapp and Grand Award cut there. This
might have been a practice my father picked up at Reeves in the late 40's or Majestic before that.
When Fine Recording opened up, George Piros was dealing with more lathes and more cutter heads --
certain combinations preferred by certain producers -- so he started a code of "PXX" with XX being a
number representing a lathe and cutter head. He would hand-scribe his mark plus the catalog number
and side a or b into the dead wax. John Johnson would scribe JJ. Once dedicated mastering houses
sprung up, you'd see a stamp imprint of, for instance, "Mastered by MasterDisc". I'm not sure if
guys at the pressing plant would further scribe the dead wax to indicate a replacement part or later
replacement master. I would imagine a major label's mastering department, like Columbia, would some
pretty complex codes to follow in the interest of uniformity.
Bob, how many cutters were there at Motown and what was your system?
-- Tom Fine
----- Original Message -----
From: "Frank Wylie" <sfwylie@xxxxxxxxxx>
Sent: Tuesday, July 03, 2007 6:53 PM
Subject: Re: [ARSCLIST] LP pressing question
Roger and Allison Kulp wrote:
Bob,Apropos of nothing; I remember as a teen discovering cryptic messages inscribed in the "dead wax"
(thanks for a new term!) area of LPs I purchased. They must have been cut into the masters and
most messages were in the (for lack of a better term) retrace area that parks the needle at the
end of the record.
Dead wax is the term for the area in between the label.and the end of the runoff groove.Actually
non-promo test pressings get out there quite a bit.I own several dozen.At least 100 or
so,including one of "A Christmas Gift to You From Philles Records".The oldest one I have seen,is
an early Columbia test pressing of an uncredited recording of "Casey Jones",that I was able to
date to about 1906.I sold it on eBay last year.This had a blank white label,with the title
written in pencil,and the label usually found on the backs of Columbia of this period.
Can't even remember which albums had these strange tags on the retrace; anyone else know of this
practice and any history behind it?
S. Frank Wylie
Independent Motion Picture Specialist