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Re: Using improvised materials
- To: BOOK_ARTS-L@xxxxxxxxxxxxxxxx
- Subject: Re: Using improvised materials
- From: James Baker <JBAKER@xxxxxxxxxxxxxxxxxxxxxxx>
- Date: Tue, 4 Feb 1997 12:05:11 MDT
- Message-id: <199702041906.LAA19167@SUL-Server-2.Stanford.EDU>
- Organization: U of U Marriott Library Staff Net
- Sender: "The Book Arts: binding, typography, collecting" <BOOK_ARTS-L@xxxxxxxxxxxxxxxx>
> Date sent: Wed, 29 Jan 1997 10:36:24 -0500
> Send reply to: "The Book Arts: binding, typography, collecting"
> From: "Sumner Zacks M.D." <szacks@xxxxxxx>
> Subject: Re: Using improvised materials
> To: BOOK_ARTS-L@xxxxxxxxxxxxxxxx
> >>... I am interested in using blood as a
> >Robyn Sassen writes:
> >>...I am interested in using blood as a medium in a book which I am
> >>making.... >the areas I would like to investigate are :
> >>1 Colour - the way it will change when wet, when dry.
> >>2 Olfactory quality
> >>3 Speed of drying and the use of anti-coagulant
> >>4 Coagulating quality - how it will dry on paper, on gelutong wood..
> >Color - well, only you will see the change. And, in the work I've done
> >using blood it comes out looking like dried blood - pretty much. It may
> >flake off the surface you put it on. When I put blood on linen, it dried,
> >rusted and dusted off when touched. So, you might want to add gum arabic to
> >the blood for adhesion. If you want to play with color, and maybe not use
> >gum, try some of the traditional dyeing mordants - alum, for instance.
> >Remember that since it's got lots of iron, it will rust and, depending on
> >your substrate - it may "burn" through.
about a year ago i produced a series of etchings on which i use
blood as an ink. i got pretty good results the process was as follows:
1. wipe the plate in the normal fashion
2. paint or drip the blood directly on the plate.(i used
3. then i placed the plate on the stove which instantly dried
the blood into a dark redish brown scab type thing.
4. then printed the whole mess on dampened paper.
i ran in to a couple of problems with the blood soaking(and
bleeding(no pun)) into areas of the undersired areas of the print
when i didn't heat it on the stove. end resulting color was not the
same as blood, but a great redish brown. when people saw the color
and the texture, they either understood, or were intrigued enough to
ask. most importantly though, after a year the blood, scab mess is
still strongly adhered to the print.
> Blood looks brown or black when dry.Look at your old cuts.Add nitrites to
> prevent oxidation as in supermarket meats-keeps it red.
> >Olfactory - the smell will only last a little while after it dries. When
> >writing with blood, I noticed that it didn't smell much after a few hours.
> >Even strong smelling liquids like garlic juice become oderless in about a
> >week. But it's good and sticky - great for writing and then gilding.
> Typical odor largely abated by dring.
> >I didn't try getting an anti-coagulant, maybe you could get one so that, in
> >a vacuum, the blood stays liquid - that'd be juicy, wouldn't it?
> Anticoagulant-say sodium citrate will prevent clotting (fibrin formation)
> >Coagulating quality - If you want to paint or write with it, just add water
> >- or use it as soon as you get it/bleed it. Any thing over an ounce will
> >stay liquid for a while - it's the air (I think) that makes it coagulate.
> >My memory is that you don't want a puddle - it will "fall" like a casserole
> >if you touch it when it's dry. You could add a gesso and make a bloody
> >fresco, but again, I don't know how it will react in suspension with the
> >Good Luck!
> >Nicholas Yeager
> Why do this?
> >Nicholas G. Yeager * Artifex Librorum * 51 Warren St. #2 * New York, NY 10007
> >212.346.9609 email:artifex@xxxxxxxxxxxx *** Luxury, rather than necessity
> >is the mother of invention - Henry Petroski *** And laziness is the father
> >- NGY
> Have fun.