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what to teach to calligraphers?
- To: BOOK_ARTS-L@LISTSERV.SYR.EDU
- Subject: what to teach to calligraphers?
- From: Kerry Kemp <PenCraft@AOL.COM>
- Date: Thu, 1 Jul 1999 12:53:54 EDT
- Message-Id: <199907011654.JAA18562@palimpsest.Stanford.EDU>
- Sender: "Book_Arts-L: READ THE FAQ at http://www.dreamscape.com/pdverhey" <BOOK_ARTS-L@LISTSERV.SYR.EDU>
this question is directed to the binder/calligraphers out there.
i own an art supply store in little rock, arkansas. i am a calligrapher and
binder (of mostly soft covered journals,) therefore, we sell lots of papers.
a friend in memphis is interested in introducing her calligraphy group to my
store. we have cooked up a plan to bringing them all here for a
group-discount bookmaking workshop. enough background.
my question is directed mainly to those on this list who are familiar with
calligraphic books: what styles of books are most valuable to calligraphers?
i plan to teach a multi-signature book, probably longstitch. they have more
than likely experimented with stab and accordian books. i want to do two
different bindings, but the choice of second binding has me stumped. any
little rock, arkansas