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Re: [BKARTS] looking for advice: finding the right venues.
- To: BOOK_ARTS-L@xxxxxxxxxxxxxxxx
- Subject: Re: [BKARTS] looking for advice: finding the right venues.
- From: Ted Smolen <tsmolen@xxxxxxxxxxxxx>
- Date: Wed, 6 Aug 2003 17:22:08 -0400
- Message-id: <email@example.com>
- Sender: Book_Arts-L <BOOK_ARTS-L@xxxxxxxxxxxxxxxx>
I design, print and bind children's books and plan to attempt to market
them through "high end" children's shops and boutiques. Has anyone done
something similar? Is a consignment type arrangement the way to go? If so,
what is a reasonable percentage for the shop owner? Any information would
be greatly appreciated
Why Wait? Move to EarthLink.
> [Original Message]
> From: Leah Giberson <leah@xxxxxxxxxxxx>
> To: <BOOK_ARTS-L@xxxxxxxxxxxxxxxx>
> Date: 8/1/2003 10:48:32 AM
> Subject: Re: [BKARTS] looking for advice: finding the right venues
> Thanks to all who have responded to my posting both via the list and=20
> direct emails,
> I will try many of the routes suggested.
> Margie, your approach is exactly what I've been doing so far and, for=20
> the most part, it works well. I often have 2-3 different books with me
> just in case. I left my full time job as an art director in February
> 2002 and am still trying to develop a good answer to "so, what are you=20=
> doing these days?" I've found that it really helps to have a couple=20
> examples with me at all times. My work is very tactile, so it makes a=20
> big difference for people to hold the books in their hands. It's=20
> wonderful to see adults looking as delighted as children when they go=20
> through the pages.
> Although I have shown my mixed media work in the Boston area since
> I've only recently started to put my book art out there and am still=20
> developing the way I speak about it. One thing I know about myself is=20
> that I need deadlines to reach completion of most projects. So, with
> recent donation to the public radio auction, I finally updated things=20
> like my Web site and artist statement, which have helped me organize
> thoughts about the new work. Like most other artists, I definitely=20
> prefer the "making" of the art to the business of it.
> Thanks again to all who have shared their advice.
> On Friday, August 1, 2003, at 09:29 AM, Margie Disque wrote:
> > How have other book artists found the right audience? Where did you
> > start? Are there resources that you would recommend? Any =
> > would be greatly appreciated.>>>
> > Hi Leah--I am new to this list and a novice bookmaker (but in love =
> > paper, ink, nibs, fibers, glues, oh, the list goes on and on). I can,
> > however, tell you an interesting experience I had recently. I was=20
> > meeting a
> > friend I hadn't seen for quite a while for breakfast. Since people=20
> > always
> > look blank when they say "so, what have you been doing?" and I say=20
> > "well,
> > I've been painting things" I took a basket of show and tell. The=20
> > waitress
> > saw the stuff and bulldogged showing it to the gift shop's manager.
> > So, the condensed version of this story is: always carry some of
> > work
> > around and casually leave it where it can be seen by the hoi polloi. =
> > knows where it will lead?
> > Good luck to you--
> > MargieD
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