SOME APPLICATIONS OF INFRARED SPECTROSCOPY IN THE EXAMINATION OF PAINTING MATERIALS
ABSTRACT—Infrared spectroscopy has been used successfully in the characterization of several types of painting materials. Although most often employed with organic materials, the technique can also yield valuable structural information on many inorganic compounds. Several applications of infrared spectroscopy to inorganic pigments are reviewed, the theoretical bases for the spectra of these materials considered, and characteristic spectra presented. The materials discussed include chrome greens, green earths, and chromium oxide and viridian. Synthetic organic pigments can also be readily identified by infrared spectroscopy and one example (phthalocyanine blue) is discussed. All spectra were obtained from minute samples comparable in size to those often available from art objects, and were recorded using a Fourier transform IR spectrometer.
ANALYTICAL TECHNIQUES used in the characterization of the materials of painting are many. Those used in a particular case are dependent upon available instrumentation, time or financial considerations, amount of sample available (if sampling can be done), and so forth. If possible, a variety of techniques is often used to characterize the material, the particular combination being determined by the general type of material in question.
Infrared spectroscopy is most widely used with organic materials, since carbon-hydrogen, carbon-oxygen, and other types of bonds which are found in compounds of this category have fundamental vibration frequencies in the infrared region, particularly in the “mid-infrared” which extends from about 2.5 to 25 microns (4000 to 400 cm−1).∗ Among the difficulties often encountered when this instrumental technique is employed for pigment analyses are the presence of binding media which may mask or distort the characteristic absorptions of pigments (particularly if the latter are organic compounds), the presence of several pigments which may also mask absorptions or generally make assignments difficult, and sample sizes. Although beam condensors and sample preparation techniques for very small samples are widely available, the quality of spectra obtained from microsamples may often be poor, and weaker absorptions tend to become lost in the instrumental noise. It is often possible to make definite or fairly definite identifications of many painting materials on the basis of the general shapes and intensities of only a few major absorption bands, but in other cases an overall pattern of a large number of peaks is sought, and in these situations the difficulty in separating weaker absorptions from instrumental noise may be a serious problem. These are all factors which limit the use of the infrared technique in studying paint samples.
∗—The spectra in this paper are presented as a function of wavenumber (cm−1). In other publications, spectra and positions of absorption bands may be given in wavelengths (λ) rather than wavenumbers. The relationship between these two numbers is: cm−1 = (104/λ). The units for λ in this formula are microns (10−6 m).
However, infrared spectroscopy has been used successfully for a number of special problems involving painting materials, such as the identification of “copper resinates”1, 2 and organic lake pigments,3, 4, 5 and the characterization of binding media, including varnishes.6, 7, 8 Special note should be made of the pioneering studies by M.J.D. Low with N.S. Baer on the application of the Fourier transform infrared technique in conservation science.9, 10, 11 Publications thus far by these authors in this field have been concerned with “fingerprinting” natural resins and distinguishing between red lakes prepared on different substrates.
Applications to inorganic pigments have been fewer, perhaps because of the widespread availability of other techniques for these types of materials which in general require smaller sample sizes, including X-ray diffraction, and various elemental analytical techniques (emission spectrography, electron beam microprobe, etc.) But the potential of infrared spectroscopy for the study of certain materials in this class has been shown by C. Grissom in her study of green earths,12 and work has also been published on iron oxide-containing earth pigments.13, 14 There is no lack of reference spectra for materials in this class. High-quality spectra of modern inorganic pigments have been published by the paint industry.15, 16 The literature on the infrared study of minerals is voluminous,17 and much of value to the study of pigments is to be found in that literature since many pigments are minerals or synthetic versions thereof.
The purpose of this paper is to review several applications of infrared spectroscopy, particularly in the realm of inorganic pigments.18 The materials chosen for this study were ones for whose characterization infrared spectroscopy may be particularly valuable. Many of the materials studied were taken from reference collections in the Center for Conservation and Technical Studies; Fogg Art Museum.19 Although very large quantities of most of these were available, all samples were purposely kept small, generally on the order of the size of sample that would often be available from an art object, in order that the quality of spectra that may be expected from such samples is more readily evident. Of the infrared spectrometers available to the author, a Fourier transform instrument was found to give the highest quality spectra with the sample sizes here used. The theory of the operation of this type of spectrometer and details of the instrumentation have been well described elsewhere.9, 20
2.1 Sample Preparation and Instrumentation
ALL SAMPLES were crushed and mixed with spectrographic grade KBr and pressed into 1.5 mm diameter pellets using a vacuum pump and Perkin-Elmer microdie. The samples were run with the aid of a Perkin-Elmer 3X beam condensor. According to Perkin-Elmer, sample concentrations as small as 10 μg in 1.5 mm KBr pellets will provide good spectra,21 although in preparing the spectra presented in this paper, sample sizes were usually several times greater than this (up to approximately 50–60 μg in a few cases). The spectra were collected on a Nicolet 7199 FT-IR spectrometer (Nicolet Instrument Corp., Madison, Wisconsin) equipped with a Zeta digital plotter.22 The spectra were obtained in the 4000–400 cm−1 range using a liquid nitrogen-cooled HgCdTe detector. The resolution in all cases was 4 cm−1, and the number of scans either 128 or 256. All of the spectra were automatically ratioed by computer against a blank KBr pellet. N2 was continuously flowed through the sample chamber in order to eliminate interference from atmospheric H2O and CO2. Residual water not ratioed out is the cause of the sharp band(s) appearing in several spectra at 670–690 cm−1.
Plotting of the spectra was done under the control of the computer. For more convenient comparison of separate spectra or portions thereof various manipulations of the ordinate and abscissa were carried out with the aid of the computer on many of the full spectra.
Particularly with inorganic compounds of high refractive indices relative to the matrix material (for KBr, n = 1.56), the quality of the spectra may be very poor due to scattering and reflection losses if the particle size is much greater than the wavelength of the incident radiation.23 This scattering and reflection causes anomalies in the relative intensities of absorption bands, anomalies which are not entirely eliminated until the particle size is considerably smaller than is normally practically obtainable. In an attempt to reduce these effects, the samples studied here were crushed as finely as possible before mixing with the salt, but some lack in the reproducibility of relative intensities of bands from sample to sample of a given material would be expected since particle sizes are probably still rather variable. There are certain other anomalies that may on occasion occur in the spectra of materials prepared in KBr matrices,24 but these are probably not of much significance in the spectra here recorded.
Theoretically, the pigment samples may be largely recovered from the pressed pellets by dissolving away the KBr salt with water. This is a very tedious operation, but it could be undertaken if the amount of sample available were very limited and other types of examination were necessary.
2.2 Modern Synthetic Organic Pigments: Phthalocyanine Blues
IN THIS CENTURY, literally hundreds of synthetic organic pigments and dyestuffs have been created, a few of which are currently routinely used by artists. One of the more widely used class of these pigments are the phthalocyanine blues and greens which were first introduced commercially in the 1930's.25
Phthalocyanine blue, C32H16N8Cu (the structure is shown in Fig. 1), exists in polymorphic forms,26 the two most common of which are designated α and β. Although the polymorphs may be prepared in well-crystallized forms, amorphous forms are actually preferred by color manufacturers because of their more suitable properties, and consequently X-ray diffraction data may be unobtainable.27
Structural formula and spectra of phthalocyanine blue pigments: A. Phthalocyanine blue dry pigment, Krebs Pigment Corp. (Wilmington, Del.), 1935 (Forbes Pigment Collection no. 11). B. Phthalocyanine blue oil paint. Winsor & Newton; scraped from a film prepared on aluminum, 5/ 1936 (Gettens pigment and resin test panels, Fogg Art Museum).
In the mid-infrared region, the phthalocyanines give very distinctive spectra which (particularly below about 1700 cm−1) contain many sharp bands due to stretching deformations of the aromatic ring system carbon-carbon bonds, and in-plane and out-of-plane bends of the carbon-hydrogen bonds in the ring system.28, 29Fig. 1A shows the full spectrum of a dry copper phthalocyanine pigment and an expanded portion of its spectrum. Fig. 1B reproduces the spectrum of a copper phthalocyanine oil paint film. The oil medium produces bands at 1715–1732 cm−1 and probably contributes to a general increase in absorbance between 1200–1000 cm−1. This paint is also extended with BaSO4, which is often the case with the strongly tinting phthalocyanines; the bands at 1186, 1120, 1082, 983, 638, and 610 cm−1 are due to this sulfate compound (see Section 2.C). In spite of these interferences, the pigment is readily identifiable, and the polymorph may be definitely established as α on the basis of the sharp band at 723 cm−1, due to out-of-plane bending of C-H bonds. This band is located at 730 cm−1 in the β modification. The dry pigment is also the α polymorph.
Infrared spectroscopy is a technique widely employed in the analysis of modern synthetic colorants,30 and reference spectra of many of the important pigments and dyestuffs have been published.31
2.3 Inorganics Containing Polyatomic Ions
2.3.1 Theoretical Basis for the Infrared Spectra of Polyatomic Ions
MANY TRADITIONAL and modern inorganic pigments, both mineral and synthetic, contain polyatomic ions. Those ions most frequently encountered include carbonate (malachite; azurite; blue verditers; calcite; cerussite; hydrocerussite); sulfate (gypsum; anhydrite; barite or ‘blanc fixe’); and chromate (chrome yellows; chrome orange; chrome greens).
In compounds of these types, the binding forces between atoms within the polyatomic ions are appreciably stronger than those between these ions and the metallic cations in the crystal lattice. As a consequence of this fact, different compounds containing a specific polyatomic ion will exhibit spectra which display general similarities in the mid-infrared frequency range.
The fundamental vibrations of polyatomic ions may be divided into two classes: (1) internal vibrations of the atoms comprising the ion which cause stretching of the bonds between these atoms or deformations of the bond angles (bending); and (2) external vibrations, which are either restricted translations of the entire ion or rotations (usually referred to as librations) of the ion about a certain axis and do not cause distortions of the equilibrium bond distances and angles within the ion.32
The external or lattice vibrations, combined with similar displacements of the metallic ions, usually occur at relatively low frequencies (below 300 cm−1) in the far-infrared region. The internal vibrations involving the covalently-bonded atoms of the polyatomic ion occur at higher frequencies in the mid-infrared region (but usually below 1500 cm−1).
A non-linear polyatomic ion possesses 3N-6 fundamental vibrational modes, where N is the number of atoms in the ion. Ideally, each type of ion has a certain degree of symmetry, and considerations of this symmetry cause some of the fundamental modes to be degenerate, that is, to occur at identical frequencies. In addition, not all of these modes may be active in the infrared region, since a change in the ground-state dipole moment of the configuration is necessary if absorption in the infrared is to occur. On the basis of studies of polyatomic ions in isolation, in which their ideal symmetries are preserved, these fundamental frequencies have been determined for many ions.33 By convention, the fundamental vibrational frequencies are designated by the usual symbol for frequency, v, with numerical subscripts which are assigned according to symmetry considerations and, for vibrations possessing the same symmetries, in order of decreasing frequency.
If the polyatomic ion becomes part of a crystal structure, to a first approximation lattice vibrations may be ignored in considering the internal vibrations. However, if this approximation were correct, then the internal vibrational absorption bands would be very sharp and display little breadth; in reality, these bands are always observed to be rather broad. The broadening is caused by various couplings of internal vibrations and lattice vibrations.34
The equilibrium potential energy field of the crystal may be distorted by a lattice vibration, one result of which is the splitting of degenerate internal vibrational modes and the appearance of normally infrared-inactive modes.
The symmetry of a polyatomic ion in the crystal lattice is usually lower than its ideal symmetry due to anisotropic interactions with surrounding cations or neighboring anions, and these interactions also serve to remove the ‘equivalency’ of some of the bonds within the ion, thus causing splitting of degenerate modes.
The potential energy field of the crystal lattice ultimately determines the exact positions of the fundamental vibrations of a given polyatomic ion. Certain regular shifts in these bands have been observed for some polyatomic ions. For example, in carbonates and sulfates, there is a regular relationship between the cationic radius (for cations of similar electronic structures) and the position of the fundamental frequencies, an effect which is probably due to increasing compression of the atoms in the polyatomic ion as the cation increases in size; this compression changes bond strengths.35, 36, 37
Thus, as a consequence of several factors, the fundamental vibrational frequencies of polyatomic ions in a crystalline environment cannot be expected to be identical from one compound to another. Furthermore, the same number of fundamental vibrations would not always necessarily be visible, since degeneracies may be removed to various extents depending upon the precise structure and even the conditions under which the compound crystallized. For identification purposes, a general pattern of intensities and frequencies is sought. In Fig. 2, the vibrational bands of 5 carbonates, 3 sulfates, and 3 chromates are shown.38 The general spectral appearance of these different ions will be evident from these spectra, but the often small but significant variations in the exact frequencies at which the bands will be found according to the particular compound should also be noted.39
Portions of Representative Spectra of Several Chromates, Sulfates, and Carbonates
2.3.2 Specific Applications
CHROME AND ‘Brunswick’ green pigments, which contain two or more different polyatomic ions, may be at least partly characterized by infrared spectroscopy. These mixed pigments, consisting of Prussian blue, chrome yellow, and often BaSO4 and/or China clay (kaolinite) as extenders, were widely used in the 19th and early 20th centuries.40, 41 Two samples of ‘Brunswick’ greens with high BaSO4 contents were studied. X-ray diffraction patterns of the two pigments showed only BaSO4 unambiguously. Emission spectrographic analysis indicated that both contained minor amounts of Pb, Cr, and Fe. Fig. 3B is the spectrum of a green pigment found during the excavation of the site of a 19th-century paint factory. Fig. 3C is the spectrum of a green pigment taken from a panel painting probably of 19th century origin. Chrome green pigments of very low BaSO4 content have also been produced, and the spectrum of one of these is given in Fig. 3A.
Spectra of Chrome Green Pigments A. Chrome green dry pigment, F. Weber (Philadelphia), 1925 (Forbes Pigment Collection no. 60). B. Green dry pigment from 19th century paint factory (H. Wood's Mineral Paint Manufactory, presently on the grounds of Wellesley College). C. Green watercolor pigment from painting of an Angel (Fogg Art Museum, 1975.41.41).
Prussian blue may be identified in all three by the band at 2070–2080 cm−1, which is due to vibration of C ≡ N in the ferrocyanide ion, Fe(CN)64− This is a strong sharp absorption which is particularly suited to the identification of Prussian blue, since it occurs in a region where virtually no other commonly-encountered organic or inorganic group absorbs. Prussian blues are often difficult to analyze by X-ray diffraction when Cu Kα radiation is used because of high absorption of this radiation by Fe. But the ferrocyanide radical is readily identifiable by infrared spectroscopy even when the blue pigment is a minor component in a given sample, as is the case with the green pigment in Fig. 3C, in which it is probably present to an extent of less than 5% by weight (estimated by emission spectrographic analysis).
Fig. 3A and 3B are spectra of dry pigments, whereas the pigment in Fig. 3C contains a carbohydrate binding medium. This accounts for the broad hydroxyl band centered at about 3400 cm−1, the C-H absorptions between 2800–2900 cm−1, and the carboxylate group absorptions at 1622 and 1419 cm−1.
Precipitated PbCrO4 (chrome yellow) contains isolated CrO42− ions. This tetrahedral ion possesses nine fundamental vibrations, several of which are degenerate in the free ion.42 The absorptions of the chromate ion in the chrome green pigment (Fig. 4F) occur at 854 and 832 cm−1, both of which are due to Cr-O stretching deformations; the shoulders which occur on both the low and high frequency sides of this pair may be due to splitting of the degenerate modes by the crystal field. Cr-O bending deformations occur at lower frequencies, usually below 400 cm−1, and consequently are not visible here. Fig. 4D and 4E represent two chrome yellow pigments; the principal bands in 4D occur at 854 and 832 cm−1, and those in 4E at 860 and 835 cm−1. In both cases, several shoulders bands are more or less evident.
Portions of Spectra of Barium White, Chrome Yellow, and Pigments Containing Both of These Compounds A. A. Barium white dry pigment (Forbes Pigment Collection no. 34). B. Green dry pigment from 19th century paint factory (see Fig. 3B). C. Green watercolor pigment from painting of an Angel (see Fig. 3C). D. Yellow watercolor pigment from painting of an Angel (see Fig. 3C). E. Yellow dry pigment from 19th century paint factory (see Fig. 3B). F. Chrome green dry pigment (see Fig. 3A).
Unfortunately, in the presence of major accounts of SO42−, the CrO42− ion does not appear to be readily identifiable. For example, there is no evidence of the stretching absorptions in the green pigments whose spectra are given in Fig. 4B and 4C. This is not surprising as these absorptions were barely discernible in a simple physical mixture made in the laboratory of 20% by weight of PbCrO4 and 80% BaSO4 (spectrum not shown). The PbCrO4 content of the pigment in Fig. 4C was estimated by emission spectrography to be approximately 10–15% by weight.
The sulfate ion, SO42−, possesses the same symmetry in its free state as the chromate ion, and also gives rise to four fundamental frequencies and nine total fundamental vibrations:43
In crystal environments, at least some of these degeneracies are always observed to be removed and the inactive 983 cm−1 mode usually becomes visible. The absorptions of the SO42− ion in the BaSO4 found in the pigments whose spectra are given in Fig. 4A–E, with the corresponding absorptions found by other authors for mineral BaSO4 (barite) and the laboratory precipitated compound, are given in Table I. It can be seen that the majority of the barium sulfates give virtually identical spectra. The single exception among the few here examined is one of the chrome yellows (Fig. 4D); the difference perhaps reflects a different order of symmetry in this particular BaSO4.
Both of the ‘Brunswick’ greens (Fig. 4B and 4C) also appear to contain α-quartz, two of whose transverse lattice vibrations produce the pair of absorptions at 794–797 and 780 cm−1 in the samples.44 The 1033 and 1008 cm−1 bands in the green pigment in Fig. 4C occur in positions in which certain silicate minerals (particularly clays) absorb and may be due to such a component.45, 46 As noted above, ‘Brunswick’ greens were also extended with China clay, and this may be the case with this green pigment.
This small group of spectra indicates the unambiguous possibilities of identifying certain polyatomic ions in pigment samples. In favorable cases, it may also be possible to distinguish between different compounds of the same anion on the basis of exact frequencies of the absorption maxima. The spectra shown here also indicate that a particular anion, present as a minor constituent, may be undetectable because of interferences from absorption bands of another, major constituent; this was the case with CrO42− in the presence of SO42−.
TABLE I VIBRATION FREQUENCIES OF MINERAL AND PRECIPITATED BaSO4 (IN WAVENUMBERS)
2.4 Green Earths
2.4.1 Composition of the Silicate Minerals in ‘Green Earth’
THE PIGMENT ‘green earth’ has been available since ancient times, and in the medieval and Renaissance periods was probably most widely used in the underpainting of flesh tones by tempera painters.47 C. Grissom has previously discussed the use of infrared spectroscopy in the study of green earths and has presented spectra of green earth pigments collected from several sources.12 The colorant in this pigment is one of two layer silicate minerals, glauconite or celadonite. Although very similar in chemical composition, these two minerals are formed under different geological conditions and would not normally occur together: glauconite is found in marine sediments, whereas celadonite is a secondary mineral found in certain basalts.48 Both minerals belong to the mica group. The composition of this group of silicate minerals consists of a layer of octahedrally-coordinated ions (Al3+, Mg2+, Fe2+, Fe3+) sandwiched between two sheets of SiO4 tetrahedra whose unshared apical oxygen atoms are directed inward. The tetrahedral silicon in these layers may be partially replaced by aluminum. Hydroxyl groups are located in the centers of the hexagonal rings formed by the apical oxygen atoms in the SiO4 sheets. Successive groups of these three-layer sandwiches are held together by K+ ions, which may be partially replaced by water or metallic ions.
Minerals of the type to which celadonite and glauconite belong are referred to as dioctahedral 2:1 layer silicates (“dioctahedral” since the total number of octahedrally-coordinated ions per formula unit is 2).49 From the point of view of their chemical compositions, both celadonite and glauconite may be regarded as derivatives of muscovite, KAl2(AlSi3)O10(OH)2. The most important differences are that in both of the green earth minerals the two octahedrally-coordinated Al3+ ions of muscovite are partially or totally replaced by Mg2+ or Fe3+, and the tetrahedral Al is at least partially replaced by Si.
Neither glauconite nor celadonite is a mineral of one specific composition, and some members of the two may very closely approach each other in composition.50 X-ray diffraction patterns of both are generally indistinguishable and are of a type (designated 1M) widely occurent in the minerals of sedimentary and low-grade metamorphic rocks.51
2.4.2 Infrared Spectra of the Green Earth Minerals
THE SPECTRA of two dry green earths (both celadonite) and of mineral glauconite are given in Fig. 5A–C. The second of the dry pigments contains calcite (confirmed by X-ray diffraction). The presence of interlayer water (not water of hydration) is indicated in all three by the peak at about 1620 cm−1. The principal broad absorption in all samples, which is centered at about 1000 cm−1, is due to Si-O lattice vibrations. There are many possible vibrations of this general type which may occur in the tetrahedral layer structure, and these contribute to the fine structure of this broad band. The exact positions of these peaks and shoulders can be used to distinguish between various individual species.52, 53 The celadonites have a group of four peaks, the most intense of which is at 970–975 cm−1. Farmer and Russell identified three of these peaks and ascribed them to particular Si-O deformations in-plane (972 and 1075 cm−1) and perpendicular to the silicate layer (1105 cm−1).54. The celadonite from which their spectrum was taken had no substitution in the tetrahedral Si. In glauconites, the fine structure in the Si-O band may largely disappear, leaving as in the case of the sample of Fig. 5C only one broad band (with possible poorly resolved shoulders).55 This is due to a lowering of symmetry in the silicate layer, which is the result of substitution of Al for Si in some of the SiO4 tetrahedra. Celadonite contains from 0–0.2 Al with Si constituting the remainder up to 4 in the unit formula; glauconite, on the other hand, contains from 0.3–0.8 Al, and the appearance of the principal Si-O band(s) near 1000 cm−1 is particularly sensitive to even such relatively small differences in substitution.
Spectra of Green Earth Pigments, A. Terre verte dry pigment, Winsor & Newton (Forbes Pigment Collection). B. Green earth dry pigment, Fezandie & Sperrle (New York) (Forbes Pigment Collection no. 4). C. Glauconite, mineral from Birmingham, New Jersey (Geology Department, Harvard University, Sample no. 112823).
The other absorption bands of interest in identifying these minerals occur below 500 cm−1 and are known to be very sensitive to variations in the octahedrally-coordinated ions in these structures, and particularly to Fe3+. The triplet of bands found by Farmer and Russell at 494, 457, and 442 cm−1 occurs in virtually the same position in the two dry green earth pigments (celadonite) and in the glauconite sample, which indicates a similarity in ocathedral ion compositions. This is further confirmed by the nearly identical positions of the high-frequency R-OH stretching bands (at about 3560 and 3535 cm−1).56
Fig. 6D is the spectrum of a green pigment from a 2nd-century (?) Coptic carved limestone figurine. The stone and pigment had been consolidated with an unidentified binding medium which was leached several times with CCl4 before the sample was prepared for infrared spectroscopic analysis. The spectrum shows calcite bands (probably from the stone), and bands probably due to the binding medium, but the distinctive pattern of celadonite is nevertheless readily evident. Table II summarizes the absorptions of the celadonites discussed here (see also Fig. 6).
Portions of Spectra of Green Earth Pigments, A. Terre verte dry pigment (see Fig. 5A). B. Green earth dry pigment (see Fig. 5B). C. Terre verte, Paciosi (Rome), 1928, unground, unwashed earth pigment (Forbes Pigment Collection). D. Green pigment from Coptic 2nd-century (?) “Follower of Isis” limestone figurine (Memorial Art Gallery, Rochester).
TABLE II VIBRATION FREQUENCIES OF SEVERAL CELADONITES (IN WAVENUMBERS)
A complex spectrum (Fig. 7) is also included here to indicate the difficulties encountered with paint samples containing many materials. This sample was taken from the underpainting of the flesh in a 16th-century Italian egg tempera painting. Relatively little green pigment was present in the sample, and the principal bands of the recorded spectrum indicate CO32− and SO42− ions, probably to be ascribed respectively to lead white (apparently hydrocerussite in this case) and anhydrite (from the underlying ground layer); α-quartz may also be present in the sample. The broad band centered at 994 cm−1 and the triplet of bands at 495, 468, and 440 cm−1 may be due to the suspected green earth pigment. The band at 1655 cm−1 may be assigned to C = O stretching in amide bonds (e.g. the protein-containing paint medium). The following list summarizes these assignments:
In view of the complicated nature of this mixture, these absorptions may be used as pieces of evidence in fully characterizing the constituents of the sample, but should realistically be corroborated by microscopy or other analytical procedures since by themselves they could be subject to misinterpretation.
- α-SiO2 stretching and bending lattice vibrations: 1173, 797, 780 cm−1
- ‘Green earth’ Si-O lattice vibrations: 994 cm−1
- Si—O—R3+ and R3+—OH: 495, 468, 440 cm−1
Partial Spectrum of a Paint Sample, Below: Expanded portion of spectrum of light green underpaint, from face of Mary, in “The Holy Family,” by Jacopo di Domenica Foschi, 16th century (Fogg Art Museum, 1957.61). Above: Four representative spectra of materials suspected to be contained in the Foschi paint sample.
2.5 Amorphous Inorganics: Cr2O3 and Viridian
THE ELEMENT CHROMIUM was discovered by Vauquelin in 1797. The opaque oxide, Cr2O3, was known at that time and in 1809 was suggested as a ceramic glaze colorant. The transparent hydrated oxide, Cr2O33H2O (viridian), may first have been introduced as an artists' color in 1838; however, both pigments were apparently not widely available until after about 1862.57
Both of these oxides have a low order of crystallinity and consequently do not give X-ray diffraction patterns,58 but both give characteristic infrared spectra below 800 cm−1 which may be used for identification purposes (Fig. 8). The broad band centered at approximately 3400 cm−1 and the sharp peak(s) around 1600 cm−1 in viridian are due to the water of hydration in its structure.
Spectra of Chromium Oxide Pigments, A. Chromium oxide green, opaque, dry pigment, Imperial Paper & color Corp. (New York), 1941 (Forbes Pigment Collection no. 39). B. Viridian dry pigment, Geo. Rowney & Co. (London) (Forbes Pigment Collection no. 43).
As noted earlier, the infrared spectra of oxides, sulfides, and other compounds of high refractive indices are often poor due to scattering losses, and in addition the number of absorption peaks as well as their positions may be profoundly affected by particle dimensions and shape and the refractive index of the matrix material.59 The Cr2O3 dry pigment whose spectrum is given here was not further ground, but its spectrum does compare favorably with spectra published elsewhere in which sample preparation included careful grinding.60, 61
In Cr2O3, each O2− is coordinated by four Cr3+ in a distorted tetrahedron.62 The strongest bands, at 632 and 566 cm−1 in Cr2O3, do not correspond to specific O2− displacements and are probably due to various combinations of O2− and Cr3+ displacements in the lattice. The pair of sharp bands at 443 and 416 cm−1 corresponds to two specific O2− displacements in the lattice. The hydrated oxide (viridian) has not been studied, but the absorptions are probably due to similar types of displacements, whose frequencies have been shifted due to the presence of water in the structure.
THIS PAPER has been intended as an introductory review of a few of the possible applications of the infrared spectroscopic technique in the realm of ‘routine’ characterization of painting materials. The materials chosen for this study were ones for whose characterization the structural information provided by infrared spectroscopy may be of great value. Mixtures of pigments produce complex spectra which can be difficult to interpret, and absorptions of certain functional groups may obscure those due to other groups, even if the latter constitute a significant part of the given sample. These difficulties, in addition to the somewhat large sample size required in order to obtain a useful spectrum, limit the applications of infrared spectroscopy to the study of painting samples. Nevertheless, numerous publications attest to its value, and the technique continues to be an important means of characterizing the materials of painting.
Kühn, H. “Verdigris and Copper Resinate.” St. in Cons.15 (1970): 12–36
Kühn, H. “A Study of the Pigments and the Grounds used by Jan Vermeer.” National Gallery of Art Report and Studies in the History of Art 1968, pp. 154–202
Hofenk-de Graaff, J.H.Natural Dyestuffs: Origin, Chemical Composition, Identification, ICOM Plenary Meeting, 1969 (Amsterdam: Central Research Laboratory for Objects of Art and Science, 1969)
Masschelein-Kleiner, L.; Heylen, J.B. “Analyse des laques rouges anciennes.” St. in Cons.13 (1968): 87–97
Flieder, F. “Mise au point des techniques d'identification des pigments et des liants inclus dans la couche picturale des enluminures de manuscrits.” St. in Cons.13 (1968): 49–86
Kühn, H. “Detection and Identification of Waxes, Including Punic Wax, by Infra-red Spectrography.” St. in Cons.5 (1960): 71–79
Birstein, V.J. “On the Technology of Central Asian Wall Paintings: The Problem of Binding Media.” St. in Cons.20 (1975): 8–19
Masschelein-Kleiner, L.; Heylen, J.; Tricot-Marckx, F. “Contribution á l'analyse des liants, adhesifs et vernis anciens.” St. in Cons.13 (1968): 105–121
Low, M.J.D.; Baer, N.S. “Applications of Infrared Fourier Transform Spectroscopy to Problems in Conservation. I. General Principles.” St. in Cons.22 (1977): 116–128
Low, M.J.D.; Baer, N.S. “Dammar and Mastic Infrared Analysis.” Preprints, ICOM Committee for Conservation, 5th Triennial Meeting, Zagreb, 1978: 78/16/5
Low, M.J.D.; Baer, N.S. “Advances in the Infrared Spectroscopic Examination of Pigments.” Preprints, ICOM Committee for Conservation, 5th Triennial Meeting, Zagreb, 1978: 78/20/3
Grissom, C.A. “A Literature Search for a Pigment Study.” Preprints, ICOM Committee for Conservation, 4th Triennial Meeting, Venice, 1975:75/21/5
Siesmayer, B.; Giebelhausen, A.; Zambelli, J.; Riederer, J. “Beitrag zur Anwendung der Infrarotspektroskopie für Untersuchungen von Farberden kulturhistorischer Objekte im Vergleich mit rezenten europäischen Lagerstätten.” Z. Anal. Chem.277 (1975): 193–196
Riederer, J. “Infrarotspektrographische Untersuchung der gelben und roten Eisenoxidpigmente.” Deutsche Farben-Zeitschrift23 (1969): 569–577
Afremow, L.C.; Vandeberg, J.T. “High Resolution Spectra of Inorganic Pigments and Extenders in the Mid-Infrared Region from 1500 to 200 cm−1.” J. Paint Tech. 38 (1966): 169–202. Spectra of most of the types of pigments discussed in this paper are included in this article.
Afremow, L.C.; Isakson, K.E.; Netzel, D.A.; Tessari, D.J.; Vandeberg, J.T.Infrared Spectroscopy. Its Use in the Coatings Industry. Philadelphia: Fed. Soc. Paint Tech., 1969. Spectra of many of the pigments discussed in this paper may be found in this publication.
Two excellent recent reviews are:
(a) Estep-Barnes, P.A. “Infrared Spectroscopy,” in Physical Methods in Determinative Mineralogy, ed.J.Zussman (London: Academic Press, 1972, 2nd ed.), pp. 529–604
(b) Farmer, V.C. (ed.). The Infra-red Spectra of Minerals. London: Mineralogical Society, 1974, Mineralogical Society Monograph 4.
Some applications in this area have also been recently reviewed in: Laver, M.E.; Williams, R.S., “The Use of a Diamond Cell Microsampling Device for Infrared Spectrophotometric Analysis of Art and Archaeological Materials,” J. IIC-Canadian Group3 (1978): 34–39
The catalog numbers given in the captions of the Figures for the “Forbes Collection” pigments refer to bottles in the wall case displays in the Center of Conservation and Technical Studies, Fogg Art Museum. Several Museums, including the Fogg, own samples from a second and not identical “Forbes Collection,” which is catalogued in a different manner.
Low, M.J.D. “Fourier Transform Spectroscopy,” in Encyclopedia of Chemical Analyses (N.Y.: Interscience, 1971), Vol. 13, pp. 139 ff.
Perkin-Elmer Corp., Norwald, Conn.: Instructions, Combination Accessory for Perkin Elmer Infrared Spectrophotometers 186–0373 (1972)
Located in the Chemistry Department, Harvard University, Cambridge, Massachusetts
Duyckaerts, G. “The Infra-red Analysis of Solid Substances: A Review.” Analyst84 (1959): 201–214
Meloche, V.W.; Kalbus, G.E. “Anomalies in the Infrared Spectra of Inorganic Compounds Prepared by the Potassium Bromide Pellet Technique.” J. Inorg. Nucl. Chem.6 (1958): 104–111
Gettens, R.J.; Stout, G.L.Painting Materials: A Short Encyclopaedia. N.Y.: Dover, 1966, reprint of original 1942 edition with some revisions
Venkataraman, K. (ed.). The Analytical Chemistry of Synthetic Dyes. N.Y.: Wiley, 1977
Pamer, T. “Modern Blue Pigments.” Preprints, AIC Annual Meeting, Ft. Worth, Texas, 1978, pp. 107–118
Knudsen, B.I. “Copper Phthalocyanine: Infrared Absorption Spectra of Polymorphic Modifications.” Acta Chem. Scand20 (1966): 1344–1350
Shurvell, H.F.; Pinzuti, L. “Sur les spectres infrarouges des phthalocyanines.” Can. J. Chem.44 (1966): 125–136
Miller, R.K. “Infrared Spectroscopy,” in Ref. 26, pp. 197–216
See, for example: McClure, A.; Thomson, J.; Tannahill, J. “The identification of pigments,” J. Oil Col. Chem. Assoc. 51 (1968): 580–635
Ref. 17(b), pp. 54 ff.
Nyquist, K.; Kagel, R.Infrared Spectra of Inorganic Compounds(3800–45 cm−1). N.Y.: Academic Press, 1971
Hornig, D.F. “The Vibrational Spectra of Molecules and Complex Ions in Crystals. I. General Theory.” J. Chem. Physics16 (1948): 1063–1076
Adler, H.H.; Kerr, P.F. “Infrared Absorption Frequency Trends for Anhydrous Normal Carbonates.” Am. Mineral. 48 (1963): 124–137
Adler, H.H.; Kerr, P.F. “Infrared Spectra, Symmetry and Structure Relations of Some Carbonate Minerals.” Am. Mineral. 48 (1963): 839–853
Adler, H.H.; Kerr, P.F. “Variations in Infrared Spectra, Molecular Symmetry and Site Symmetry of Sulfate Minerals.” Am. Mineral. 50 (1965): 132–147
The infrared spectral features of several carbonates are discussed (often with spectra reproduced) in the following: (a) Calcite and other Group II anhydrous carbonates; cerussite: Gettens, R.J.; Fitz-Hugh, E.W.; Feller, R.L. “Calcium Carbonate Whites,” St. in Cons.19 (1974): 157–184 (b) Cerussite and hydrocerussite: Kühn, H. “Bleiweiss und seine Verwendung in der Malerei,” Farbe und Lack73 (February, 1967): 99–105; (March, 1967): 209–213
(c) Malachite: Gettens, R.J.; FitzHugh, E.W. “Malachite and Green Verditer,” St. in Cons.19 (1974): 2–23
The absorption bands reproduced in the Figures are those in the mid-infrared range which are caused by the polyatomic ions contained in the compounds, but are not necessarily the only ones which would occur in the full spectra. For example, the water of hydration in gypsum causes bands at 3554, 3408, and 1690 cm−1. The hydroxyl groups in the basic carbonates also cause absorptions: in azurite, at 3425, 1035, and 952 cm−1; in malachite, at 3400, 3320, 1045, and 875 cm−1; and in hydrocerussite, at 3535, 1047, and 1040 cm−1. See Ref. 17(b) for a discussion of these.
Bearn, J.G.The Chemistry of Paints, Pigments & Varnishes. London: Ernest Benn, 1923.
Ref. 25, pp. 105–106
Campbell, J.A. “Spectral evidence for interionic forces in crystals—chromates and dichromates.” Spectrochim. Acta21 (1965): 1333–1343.
Ref. 17(b), pp. 365 ff.
Ref. 17(b), pp. 340 ff.
Farmer, V.C.; Russell, J.D. “The infrared spectra of layer silicates.” Spectrochim. Acta20 (1964): 1149–1173
Ref. 25, p. 117
Hendricks, S.B.; Ross, C.S. “Chemical Composition and Genesis of Glauconite and Celadonite.” Am. Mineral. 26 (1941): 683–708
Deer, W.A.; Howie, P.A.; Zussman, J.Rock-Forming Minerals. London: Longmans, 1962, Vol. 3: Sheet Silicates.
Ref. 49, pp. 216 ff
Carroll, D.Clay Minerals: A guide to their X-ray identification. Boulder, Colorado: Geological Society of America, 1970, Geol. Soc. of America Special Paper 128.
Stubiĉan, V.; Roy, R. “Isomorphous Substitution and Infra-red Spectra of the Layer Silicate Minerals.” Am. Mineral46. (1961): 32–51
Launer, P.J. “Regularities in the Infrared Absorption Spectra of Silicate Minerals.” Am. Mineral. 37 (1952): 764–784
Manghnani, M.H.; Hower, J. “Glauconites: Cation Exchange Capacities and Infrared Spectra. II. Infrared Absorption Characteristics of Glauconites.” Am. Mineral. 49 (1964): 1631–1642
R-OH stretching and librational bands, where R = octahedrally-coordinated ions, are discussed in Ref. 46 and: Russell, J.D., Farmer, V.C., Velde, B. “Replacement of OH by OD in layer silicates, and identification of the vibrations of these groups in infra-red spectra,” Min. Mag.37 (1970): 869–879.
Ref. 25, p. 107 and pp. 173–174
Ref. 17(b), Ch. 3 & 10
Ref. 15, 16
McDevitt, N.T.; Brown, W.L. “Infrared absorption study of metal oxides in the low frequency region (700–240 cm−1).” Spectrochim. Acta20 (1964): 799–808
Ref. 17(b), pp. 188–189
THE AUTHOR would like to thank Eugene Farrell (conservation scientist, Center for Conservation and Technical Studies, Fogg Art Museum) who prepared some of the samples and helped the author with acquiring the spectra. This study would not have been possible without the use of the Nicolet 7199 FT-IR spectrometer, and for allowing us to use this instrument and training us in its operation, I gratefully acknowledge Dr. Gregory Exarhos and particularly Barry Nelson (both Chemistry Department, Harvard University).