JAIC 1992, Volume 31, Number 1, Article 10 (pp. 87 to 94)
JAIC online
Journal of the American Institute for Conservation
JAIC 1992, Volume 31, Number 1, Article 10 (pp. 87 to 94)

CURRENT RESEARCH ON THE EFFECTS OF SOLVENTS AND GELLED AND AQUEOUS CLEANING SYSTEMS ON OIL PAINT FILMS

JIA-SUN TSANG, & DAVID ERHARDT




REFERENCES

Barton, A.F.M.1983. CRC handbook of solubility parameters and other cohesion parameters. Boca Raton, Fla: CRC Press, Inc.

Burnstock, A., and R.White. 1990. The effects of selected solvents and soaps on a simulated canvas painting. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 111–18.

de la Rie, E. R., and C. W.McGlinchey. 1990. New synthetic resins for picture varnishes. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 168–73.

Erhardt, D., W.Hopwood, M.Baker, and D.von Endt. 1988. A systematic approach to the instrumental analysis of natural finishes and binding media. AIC preprints, 16th Annual Meeting, American Institute for Conservation, Washington, D.C. 67–84.

Erhardt, D., and J.Tsang. 1990. The extractable components of paint films. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 93–97.

Feller, R. L., N.Stolow, and E. H.Jones. 1985. On picture varnishes and their solvents. Rev. and enl. ed.Washington, D.C.: National Gallery of Art.

Graham, I.1953. The effect of solvents on linoxyn films. Journal of the Oil and Color Chemists' Association36:500–506.

Hedley, G., M.Odlyha, A.Burnstock, J.Tillinghast, and C.Husband. 1990. A study of the mechanism and surface properties of oil paint films treated with organic solvents and water. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 98–105.

Koller, J.1990. Cleaning of a nineteenth-century painting with deoxycholate soap: Mechanism and residue studies. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 106–10.

Michalski, S.1990. A physical model of the cleaning of oil paint. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 85–92.

Teas, J. P.1968. Graphic analysis of resin solubilities. Journal of Paint Technology40(516):19–25.

Wolbers, R., N. T.Sterman, and C.Stavroudis. 1990. Notes for workshop on new methods in the cleaning of paintings. Marina del Rey, Calif.: Getty Conservation Institute.

Wolbers, R.1990. A radioisotopic assay for the direct measurement of residual cleaning materials on a paint film. In Cleaning, retouching and coatings: Technology and practice for easel paintings and polychrome sculpture, ed.J. S.Mills and P.Smith. London: International Institute for Conservation of Historic and Artistic Works. 119–25.


AUTHOR INFORMATION

JIA-SUN TSANG is a 1985 graduate of the University of Delaware/Winterthur Conservation Program. She was with the National Gallery of Art in Washington, D.C., from 1984–87 before joining the Conservation Analytical Laboratory, Smithsonian Institution, in 1988 as paintings conservator. She was a specialist in clinical chemistry at the Medical College of Ohio, Toledo, Ohio, from 1974–80. Address: Conservation Analytical Laboratory, Museum Support Center, Smithsonian Institution, Washington, D.C. 20560.

DAVID ERHARDT received his Ph.D. from the University of Maryland in 1977. He was a medical research associate at George Washington University from 1978–79 and is currently senior research chemist at the Conservation Analytical Laboratory of the Smithsonian Institution where he has been since 1979. Address: Conservation Analytical Laboratory, Museum Support Center, Smithsonian Institution, Washington, D.C. 20560.


Copyright 1992 American Institute for Conservation of Historic and Artistic Works