JAIC 1999, Volume 38, Number 2, Article 4 (pp. 162 to 175)
JAIC online
Journal of the American Institute for Conservation
JAIC 1999, Volume 38, Number 2, Article 4 (pp. 162 to 175)

CYCLODODECANE: TECHNICAL NOTE ON SOME USES IN PAPER AND OBJECTS CONSERVATION

IRENE BRÜCKLE, JONATHAN THORNTON, KIMBERLY NICHOLS, & GERRI STRICKLER




REFERENCES

Chiu, T. T., and W. J., Fairchock. 1986. Poly (2-ethyl-2oxazoline): A new water- and organic-soluble adhesive. In Water-soluble polymers: Beauty with performance, ed.J. E.Glass.Advances in Chemistry series 213. Washington, D.C.: American Chemical Society. 425–33.

DuPont Nylon Intermediates. 1998. Personal communication. B.M.P. 24, P.O. Box 80024, Wilmington, DE 19880-0024. (800) 231-0998.

Hangleiter, H. M.1998a. Erfahrungen mit flüchtigen Bindemitteln. Part 1. Restauro5: 314–19.

Hangleiter, H. M.1998b. Erfahrungen mit flüchtigen Bindemitteln. Part 2. Restauro7: 468–73.

Hangleiter, H. M., E.Jägers, and E.Jägers. 1995. Flüchtige Bindemittel. Zeitschrift für Kunst-technologie und Konservierung2: 385–92.

Hansen, E. F., R., Lowinger, and E., Sadoff. 1993. Consolidation of porous paint in a vapor-saturated atmosphere: A technique for minimizing changes in the appearance of powdering, matte paint. Journal of the American Institute for Conservation32: 1–14.

Hiby, G.1997. Das flüchtige Bindemittel Cyclododecan. Restauro2: 96–103.

Kolossváry, I., and W. C., Guida. 1993. Comprehensive conformational analysis of the four- to twelve-membered ring cycloalkanes: Identification of the complete set of interconversion pathways on the MM2 potential energy hypersurface. Journal of the American Chemical Society115: 2107–19.

Larsen, E. B.1981. Molding and casting of museum objects. Copenhagen: Konservatorskolen, Det Kongelige Danske Kunstakademi.

Maish, J. P.1994. Silicon rubber staining of terracotta surfaces. Studies in Conservation39: 250–56.

Riedl, N., and G.Hilbert. 1998. Cyclododecan im Putzgefüage. Restauro7: 494–99.

Rodgers, S. M., [1988] 1994. Consolidation, fixing, facing. In Paper conservation catalog. Washington, D.C.: American Institute for Conservation. 1–20.

van derWindt, H., ed.1997. Proceedings, European Workshop on Iron-Gall Ink Corrosion. Rotterdam: Museum Boijmans Van Beuningen.

vanGulik, R. and N. E., Kersten-Pampiglione. 1994. A closer look at iron gall ink burn. Restaurator15: 173–87.

Wolbers, R., M., McGinn, and D., Duerbeck. 1998. Poly(2-ethyl-2-oxazoline): A new conservation consolidant. In Painted wood: History and conservation, ed.V.Dorge and F.C.Howlett. Los Angeles: Getty Conservation Institute. 514–27.



SOURCES OF MATERIALS

Paraloid B-72

Rohm & Haas, Independence Mall West, Philadelphia, PA 19105

Cyclododecane

Kremer Pigments, Inc., 228 Elizabeth St., New York, NY 10012

“DRAFT” stamp

Sanford POM¯ Stamper, #00224, manufactured in Japan

Electric wax melting pen (Kistka)

Used for decorating Ukranian Easter, eggs; order aperture nos. 0, 1, 2, Delta Ukranian Enterprise, 2242 West Chicago Ave., Chicago, IL 60622

gum arabic

Dow Chemical Co., Midland, MI, hypodermic needle (27 G 1/2), B-D Safety Loc Syringe with precision, glide needle (0.4mm × 12mm), # 305553 or W 12639, Becton Dickinson and Co., Franklin Lakes, NJ 07417–1884

methylcellulose A4M

Dow Chemical Co., Midland, MI

polyvinyl alcohol (low molecular weight)

Conservator's Emporium, 100 Standing Rock Circle, Reno, NV 89511

Aquazol

Conservator's Emporium, 100 Standing Rock Circle, Reno, NV 89511


AUTHOR INFORMATION

IRENE BRÜCKLE holds an M.A. in art history from the State University of New York at Buffalo and is pursuing a Ph.D. in comparative literature there. She is an associate professor in the Art Conservation Department at the State University College at Buffalo, where she has taught since 1994. She received her paper conservation and bookbinding training in Germany. Address: Art Conservation Department, RH 230, Buffalo State College, 1300 Elmwood Ave., Buffalo, N.Y. 14222. brueckle@buffnet.net

JONATHAN THORNTON received his M.A. and certificate of advanced study from the State University College at Oneonta, New York (Cooperstown Graduate Program in Conservation) after an earlier career as an independent craftsman. He is a professor in the Art Conservation Department of the State University College at Buffalo, where he has taught the conservation of objects since 1980. Address as for Brückle.

KIMBERLY NICHOLS is a third-year student in paper conservation in the Art Conservation Department, State University College at Buffalo. She received her B.A. from Newcomb College, Tulane University, in art history. She worked at the Art Institute of Chicago, at Graphic Conservation in Chicago, and at the Library of Congress. She is spending her third-year internship at the California Palace of the Legion of Honor, Fine Arts Museums of San Francisco. Address as for Brückle.

GERRI STRICKLER is a third-year student in objects conservation in the Art Conservation Department, State University College at Buffalo. She received her B.A. from the University of Delaware in art conservation and worked at the Los Angeles County Museum of Art and the Museum of New Mexico, Santa Fe. She is spending her third-year internship at the Gerald R. Ford Conservation Center in Omaha, Nebraska. Address as for Brückle.


Copyright © 1999 American Institute for Conservation of Historic and Artistic Works