JAIC , Volume 39, Number 1, Article 1 (pp. to )
JAIC online
Journal of the American Institute for Conservation
JAIC , Volume 39, Number 1, Article 1 (pp. to )

RECOVERY OF UNBACKED MOSAICS FROM A STORAGE DEPOT FIRE AT THE SARDIS EXCAVATIONS, TURKEY

KENT SEVERSON, STEPHEN KOOB, JULIE WOLFE, PERRY CHOE, STEPHANIE HORNBECK, SARAH MCGREGOR HOWARTH, & ANTHONY SIGEL




REFERENCES

Getty Conservation Institute. 1991. The conservation of the Orpheus mosaic at Paphos, Cyprus. Malibu, Calif.: Getty Conservation Institute.

Greenewalt, C. H., C.Ratté, and M.Rautman. 1993. The Sardis campaigns of 1988 and 1989. Annual of the American Schools of Oriental Research51:1–43.

Greenewalt, C. H., C.Ratté, and M.Rautman. 1995. The Sardis campaigns of 1990 and 1991. Annual of the American Schools of Oriental Research52:1–28.

Griffen, P., and E.Salzman. 1991. Conservation final report. Harvard-Cornell Archaeological Exploration of Sardis, Cambridge, Mass.

Griffen, P., and I.Tokumaru. 1992. Conservation final report. Harvard-Cornell Archaeological Exploration of Sardis, Cambridge, Mass.

Mora, P.1980. Mosaics no. 2: Safeguard. Rome: ICCROM.

Nardi, R.1996. Zippori, Israel: The conservation of the mosaics of the Building of the Nile. In Archaeological conservation and its consequences, ed. A.Roy and P.Smith. Copenhagen: IIC Annual Congress. 127–32.

Salzman, E., and J.Sherman. 1990. Conservation final report. Harvard-Cornell Archaeological Exploration of Sardis, Cambridge, Mass.

Second International Congress of the Architects and Technicians of Historical Monuments. 1964. International Charter for the Conservation and Restoration of Monuments (Charter of Venice). Venice: International Council on Monuments and Sites, 1966.

Wolfe, J.1998. Recovery of mosaics damaged in the 1997 fire. Harvard-Cornell Archaeological Exploration of Sardis, Cambridge, Mass.



SOURCES OF MATERIALS

Adhesive resins: Paraloid B-72 and Primal AC-33

Rohm and Haas

Philadelphia, Pa.

Distributed by Conservator's Emporium

100 Standing Rock Circle

Reno, Nev. 89511

Pressure sensitive tapes: duct tape, Scotch 471, and Scotch 850 polyester tape

3M Corporation

Box 33053

St. Paul, Minn. 55133-3053

Distributed by hardware or fine arts supply stores.

Primal AC-33

Art and Restoration

Karaça Sokak 18

Dolapdere, Beyoglu

Istanbul

(212) 238-4511


AUTHOR INFORMATION

KENT SEVERSON graduated from the New York University (NYU) Institute of Fine Arts Conservation Training Program in 1985. He spent two seasons at Sardis while attending NYU. Between 1985 and 1996, he was a conservator with the private firm of Daedalus Inc. (formerly Dennis and Craine, Associates) in Cambridge, Massachusetts. Since 1989, he has participated as consultant and supervisor of NYU conservation students at several archaeological sites, including the Harvard-Cornell Sardis Expedition, the New York University project at Samothrace, Greece, and the New York University expedition to Aphrodisias, Turkey. Since 1996, he has been living part-time in Turkey, teaching archaeological conservation in the Department of Art History and Archaeology at Bilkent University, Ankara, and continuing archaeological fieldwork. He is currently senior field conservator for the Aphrodisias expedition and is working in private practice in Boston, Massachusetts. Address: 35 Queensberry St., #9, Boston, Mass. 02215

STEPHEN P. KOOB received an M.A. (1976) in classical archaeology from Indiana University, and a B.Sc. (1980) in archaeological conservation and materials science from the Institute of Archaeology, University of London. From 1980 to 85, he was conservator of the Agora Excavations with the American School of Classical Studies in Athens, Greece. From 1986 to 98, he worked as conservator, specializing in ceramics and glass, at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. In 1998, he took up the position of conservator at the Corning Museum of Glass. Address: The Corning Museum of Glass, One Corning Glass Center, Corning, N.Y. 14830.

JULIE WOLFE holds an M.A. in art conservation from the State University of New York at Buffalo. She has a certificate of advanced training from the Harvard University Art Museums specializing in objects conservation. She was an assistant conservator at the Williamstown Art Conservation Center and is a recipient of a 1998 IMLS grant at the Solomon R. Guggenheim Museum. Address: SRGM, 620 W. 47th St., 6th floor, New York, N.Y. 10036

PERRY CHOE received a B.A. from Cornell University in 1989 and completed her M.A. in the history of art and a certificate in the conservation of works of art from the Institute of Fine Arts of New York University in 1999. She has interned at the Metropolitan Museum of Art, and the Baltimore Museum of Art, and worked as assistant to the director at Cathedral Stoneworks. She is currently interning at the National Museums and Galleries on Merseyside, England. Address: The Conservation Centre, National Museums and Galleries on Merseyside, Whitechapel, Liverpool, England L1 6HZ

STEPHANIE E. HORNBECK received a B.A. cum laude in art history from Wellesley College in 1990 and an M.A. in art history and a diploma in conservation from the Institute of Fine Arts, New York University in 1999. She specializes in the conservation of archaeological and ethnographic objects. She is assistant conservator at the National Museum of African Art, Smithsonian Institution. Address: National Museum of African Art, Smithsonian Institution, 950 Independence Ave., S.W., Washington, D.C. 20560-0708

SARAH MCGREGOR HOWARTH received a B.A. from Boston University in 1989. She is completing her M.A. in the history of art and a certificate in the conservation of works of art from the Institute of Fine Arts of New York University. Since 1998, she has worked as a conservator on the Greek and Roman reinstallation project in the Sherman Fairchild Center for Objects Conservation at the Metropolitan Museum of Art in New York. Address: 424 East 85th St., #18, New York, N.Y. 10028

ANTHONY SIGEL received a B.F.A. in painting and sculpture from the School of the Art Institute of Chicago in 1983. He spent nine years as a preparator and mountmaker at the Art Institute's department of European Decorative Art, Sculpture, and Classical Art, where he received his initial conservation training and experience through an informal museum apprenticeship. He is currently associate conservator of objects and sculpture at the Straus Center for Conservation, Harvard University Art Museums, where he has worked since his advanced-level internship in 1992. From 1995 to 1998, he served as conservator for special projects at the Archaeological Exploration of Sardis, in western Turkey, co-sponsored by the Harvard University Art Museums and Cornell University. Address: Straus Center for Conservation, Harvard University Art Museums, 32 Quincy St., Cambridge, Mass. 02138